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Joker: Folie À Deux director Todd Phillips 'wanted nothing to do with DC' during making of the $200million flop film, a new report has claimed. The hotly-anticipated sequel to the 2019 billion dollar Oscar-winning film - stars Joaquin Phoenix and Lady Gaga and was considered a surefire hit for Warner Bros Pictures - but was slammed by critics and failed to ignite at the box office. The sequel has been roundly criticized for being a musical and 'ignoring' the DC fanbase - with an agent familiar with Phillips' process telling Variety he 'wanted nothing to do with DC' during the making of the film, with DC bosses James Gunn and Peter Safran notably absent from the film's LA premiere afterparty last month. A source said: 'If the first movie was about some down-on-his-luck, mentally ill guy in a downtrodden city, it makes maybe $150 [million] worldwide. Not a billion. People showed up because that guy was Joker.' In an apparent snub by Phillips, the opening sequence of the film does not include a DC Studios logo. On Rotten Tomatoes, the movie currently holds an audience score of 31% and a critic score of 32% The hotly-anticipated sequel to the 2019 billion dollar Oscar-winning film - stars Joaquin Phoenix and Lady Gaga - seen with Phillips last month - and was considered a surefire hit for Warners Bros Pictures - but was slammed by critics and failed to ignite at the box office  A DC spokesman said Gunn was directing the Max series Peacemaker in Atlanta, which had lost a day of production due to Hurricane Helene, while Safran was sick.  Read More Joker: Folie À Deux is branded 'bleak' and the 'most disappointing follow-up' by critics A Warner spokesman added that a DC logo appears at the end of the Joker sequel. while Phillips declined to comment to the publication.  Several frictions are said to have developed between Phillips, DC and Warner- with claims that Michael DeLuca, Chairperson of Warner Bros. Entertainment, and CEO Pamela Abdy seemed 'unwilling' to say no to Phillips due to his huge past successes. It is claimed Phillips would 'only' speak with DeLuca and Abdy rather than Gunn and Safran - who took control of DC two months before production began on Joker 2 in December 2022. Gunn and Safran did attend the first director's cut screening for the studio but Phillips fueled rift speculation when he told a reporter: 'With all due respect to them, this is kind of a Warner Bros. movie.' Warner Bros. Discovery CEO David Zaslav also met with Phillips  shortly after WarnerMedia and Discovery merged in April 2022 and was 'open to filming in Los Angeles if the director would make the sequel at a lower price point.' The studio wanted to film in London which would have cost around 20 per cent less. However, Phillips insisted on filming in LA with the budget remaining static.  The sequel has been roundly criticized for being a musical and 'ignoring' the DC fanbase - with an agent familiar with Phillips' process telling Variety he 'wanted nothing to do with DC' during the making of the film, with DC bosses James Gunn and Peter Safran notably absent from the film's LA premiere afterparty last month  A Warner spokesman told the publication the studio 'supported the decision to film in Los Angeles'. A source directly involved with the film said: 'No one could get through to Todd. And the one thing about genre stuff: If you don't listen and pay attention to what the fan expectations are, you're going to fail. Insiders also claim studio bosses did not want to premiere the film at the Venice Film Festival, but Phillips pushed back - with a Warner spokesman saying the studio 'fully supported the decision to bring the film to Venice. Joker: Folie À Deux has garnered the lowest CinemaScore in comic book movie history as the film bombed at the box office on opening night.  It has only made $114million worldwide against its $200million budget.  The psychological musical thriller — which has been criticized as 'bleak' and 'disappointing' — officially released in theaters on Friday, October 4, but it only raked in $20 million at the domestic box office, per The Hollywood Reporter.  Phoenix reprised his role as the Joker in the sequel, which had earned him an Oscar for his portrayal in the 2019 film, while Gaga took on the role of Harleen Lee Quinzel (Harley Quinn).  However, Joker: Folie À Deux has been given a D rating on CinemaScore — the lowest score for a comic book movie.  Madame Web — which notably also flopped in theaters earlier this year and also received terrible reviews — holds a higher score with a C+. On Rotten Tomatoes, the movie currently holds an audience score of 31% and a critic score of 32%.  The sequel is projected to rake in less that $50 million at the domestic box office during the entirety of opening weekend, per The Hollywood Reporter.  Weeks ago, the movie had been projected to bring in around $70 million - but the number has since drastically dropped.  Joker (2019) notably opened with $96.2 million when the film first released in theaters - and eventually landed a little over $1 billion in the global box office.  The first movie - which was also directed by Todd Phillips - had a budget of between $55 and $70 million. However, the budget increased for Folie À Deux to around $200 million.  The 2019 movie garnered praise and positive reviews from both critics and audiences - and won the Golden Lion during the 76th Venice International Film Festival.  Joaquin received an Oscar for Best Actor for his portrayal of the Joker (Arthur Fleck) - and the film garnered an additional Academy Award for Best Original Score.  The sequel also screened during the Venice International Film Festival last month in September, where it earned a 12-minute standing ovation, per Deadline.    A source directly involved with the film said: 'No one could get through to Todd. And the one thing about genre stuff: If you don't listen and pay attention to what the fan expectations are, you're going to fail. However, audiences have since taken to X after the movie released in theaters on Friday - and shared their opinions on the sequel, which features musical sequences.  One fan penned, 'Joaquin Phoenix don't deserve this. what happened to the script?' while another added, 'is it that bad,' followed by a crying face emoji.  'Ironically I feel that a musical, if done well, could have been a good choice. It'd show how much of an unreliable narrator Fleck is,' one typed.  'But with some original songs, that keep everything vague, not just covers. Also when I heard of the ending I snorted fr.'  A social media user wrote, 'Stop making sequels as musicals if the original wasn't a musical.'  'Maybe he [Phillips] only had an hour long movie, and decided to randomly add musical scenes to fill the runtime, ' one penned.  'Joker downfall really needs to be studied,' another shared, along with a monkey staring out a window.  One fan said, 'the movie sucks. i had to walk out of the cinema, ' while another penned, 'After years of disagreement....*Joker 2 releases* Critics [shaking hands] Audience.'  However, audiences have since taken to X after the movie released in theaters on Friday - and shared their opinions over the sequel, which was also a musical 'Ironically I feel that a musical, if done well, could have been a good choice. It'd show how much of an unreliable narrator Fleck is,' one typed 'Joker downfall really needs to be studied,' another shared, along with a monkey staring out a window 'That's way below what we expected,' one wrote in regards to the current Rotten Tomatoes scores. 'People are saying this is the worst sequel ever.'  A fan explained, 'yea this film was bad. it was pretentious and dull. has the aesthetic of an arthouse film without the substance.'  'It also insults the audience's intelligence. the songs were also underwhelming too. they shouldn't have let this escape to theaters.'  One shared, 'The audience that loved the first movie is not the same audience running to see musicals. This was a gigantic mistake from step 1.'  During an interview with The Hollywood Reporter, Phillips discussed whether he would be interested in making a third Joker film or a movie centered around Gaga's character.  'It's not really where this movie is headed for me. I feel like my time in the DC Universe was these two films.'  Ahead of the movie's release, Lady Gaga also dropped an accompanying album titled Harlequin on September 27.  Joker: Folie À Deux has been branded the 'most disappointing follow-up to the Oscar-winning movie' by critics, as they cast doubt on Lady Gaga's 'thin' role in the film following its release on Friday.  'That's way below what we expected,' one wrote in regards to the current Rotten Tomatoes scores. 'People are saying this is the worst sequel ever' A fan explained, 'yea this film was bad. it was pretentious and dull. has the aesthetic of an arthouse film without the substance' The 'bleak' sequel, has also received a tepid reception from fans, with some claiming Lady Gaga's career could be at risk. While the same director Todd Phillips was back in the hot seat, critics have said the sequel is just a 'repeat' of the first hit but with an added musical twist. Most critics have said Todd failed to use Gaga correctly in the movie and claimed she was only bought in for the musical aspect of it. While the majority of critics say Joker: Folie À Deux didn't live up to expectations, others have dubbed the movie 'bold' and 'brilliant.'  Daily Mail's Brian Viner commended the move as 'bold' and 'brilliant' but said it lacked any thrill.  The Independent's Geoffrey Macnab said: 'Today Joker is best remembered as one of the most subversive and original films of the last decade, while its hugely anticipated sequel is just as bleak and formally daring as its predecessor'. Meanwhile, the Irish Times' Donald Clarke gave the movie just two stars but credited Phillips' work for making a sequel following the first movie's $1billion success. Financial Times critic Danny Leigh said although Gaga worked hard to bump the ratings up in the sequel, Phillips appeared to have no idea what to do with her.  Giving a three star rating, The Guardian's Peter Bradshaw claimed the movie proves 'claustrophobic' and 'repetitive.' Joker: Folie À Deux has been branded the 'most disappointing follow-up to the Oscar-winning movie' by critics, as they cast doubt on Lady Gaga's 'thin' role in the film following its release on Friday; seen in September in London  The Times' Kevin Maher wrote: 'The director Todd Phillips said there would be no follow-up to the original, but he changed his mind and the result is a derivative musical' 'This might be the most disappointing follow-up to an Oscar-winning performance since Anthony Hopkins reworked his silky and terrifying Dr Lecter from for the campy, kitschy.'  Along with Lady Gaga and Joaquin Phoenix, other stars that had appeared in the sequel include Brendan Gleeson, Catherine Keener, Zazie Beatz and Steve Coogan.  Joker: Folie à Deux has faced additional backlash from fans as they have claimed that Gaga is running the risk of losing her acting career.  Lady GagaJoaquin Phoenix My blog post :: ช่อดอกไม้ตามสั่ง

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Do Greens and crossbenchers who claim that transparency and integrity is at the heart of their reason for entering Parliament in the first place hear themselves? In the past few days they have mounted self-serving arguments against proposed electoral reforms that the major parties look set to come together to support. The reforms include caps for how much money wealthy individuals can donate, caps on the amount candidates can spend in individual electorates to prevent the equivalent of an arms race, and a $90million limit on what any party can spend at an election - actually less than the major parties currently spend. The proposed new laws also include lower disclosure thresholds for donations, thus increasing the transparency of who makes political donations in the first place. So the wealthy wont be able to hide behind anonymity while using their cash to influence election outcomes - and the extent to which they can use their wealth at all will be limited. The bill will further improve transparency by also increasing the speed and frequency that disclosures of donations need to be made. At present we have the absurd situation in which donations get made - but you only find out the details of who has given what to whom many months later, well after elections are won and lost. In other words, what is broadly being proposed will result in much greater transparency and far less big money being injected into campaigning by the wealthy. Teal Kylea Tink claimed the major parties were 'running scared' with the policy and warned the reform would 'not stop the rot'  Greens senate leader Larissa Waters (left) fired a warning shot - saying if it serves only the major parties 'it's a rort, not reform'. Teal independent ACT senator David Pocock (right) said: 'What seems to be happening is a major-party stitch-up' Anyone donating more than $1,000 to a political party, as opposed to $16,000 under the current rules, will need to disclose having done so. And how much they can donate will be capped. Yet the Greens and Teals have quickly condemned the proposed new laws, labeling them a 'stitch-up', 'outrageous' and 'a rort, not a reform'.  They have lost their collective minds after finding out that Labor's proposal just might secure the support of the opposition. I had to double check who was criticising what exactly before even starting to write this column. Because I had assumed - incorrectly - that these important transparency measures stamping out the influence of the wealthy must have been proposed by the virtue-signalling Greens or the corruption-fighting Teals, in a united crossbench effort to drag the major parties closer to accountability. More fool me. The bill, designed to clean up a rotten system, is being put forward by Labor and is opposed by a growing cabal of crossbenchers. It makes you wonder what they have to hide. Put simply, the Greens and Teals doth protest too much on this issue. Labor is thought to be trying to muscle out major political donors such as Clive Palmer Another potential target of the laws is businessman and Teal funder Simon Holmes à Court The Greens have taken massive donations in the past, contrary to their irregular calls to tighten donations rules (Greens leader Adam Bandt and Senator Mehreen Faruqi are pictured) The major parties have long complained about the influence the likes of Simon Holmes à Court wields behind the scenes amongst the Teals.  And we know the Greens have taken massive donations from the wealthy in the past, contrary to their irregular calls to tighten donations rules. Now that tangible change has been proposed, these bastions of virtue are running a mile from reforms that will curtail dark art of political donations. The Labor government isn't even seeking for these transparency rules to take effect immediately, by the way. It won't be some sort of quick-paced power play before the next election designed to catch the crossbench out. They are aiming for implementation by 2026, giving everyone enough time to absorb and understand the changes before preparing for them. Don't get me wrong, no deal has yet been done between Labor and the Coalition. I imagine the opposition want to go over the laws with a fine tooth comb. As they should - because it certainly isn't beyond Labor to include hidden one-party advantages in the proposed design which would create loopholes only the unions are capable of taking advantage of, therefore disadvantaging the Coalition electorally in the years to come. But short of such baked-in trickiness scuttling a deal to get these proposed laws implemented, the crossbench should offer their support, not cynical opposition, to what is being advocated for. They might even be able to offer something worthwhile that could be incorporated in the package. To not do so exposes their utter hypocrisy and blowhard false commentary about being in politics to 'clean things up'. Here is my homepage - ร้านดอกไม้บรรยากาศโรแมนติก

Former first lady Melania Trump said she was completely comfortable with posing nude during her modeling days.  In her memoir Melania, which was released Tuesday, she recounts how her nude photos were put on the cover of The New York Post during the closing weeks of the 2016 presidential election.  The tabloid used the 'disgusting heaadline,' as Melania described it, 'Menage à Trump.' 'My upbringing in Europe had fostered a different perspective on nudity, a more open and accepting attitude, ' she wrote. 'We were accustomed to beaches where nudity was commonplace, a natural and uncontroversial aspect of life.'  She noted how 'attitudes toward the female body in the United States were starkly different.'  Melania Trump at a Vogue event in 2000. She wrote in her memoir Melania about her nude photographs shot for the French magazine Max in 1996 used against her husband politically  The controversial photos were from a 1996 photoshoot from a now defunct French fashion magazine called Max.  'The photos had never been circulated in the United States,' she recalled. 'The magazine that had originally published them had ceased to exist long before these images were unearthed, and now they were being shared for the sole purpose of damaging Donald's campaign.' She wrote that the photos 'were not a source of shame for me.'   'The female form was once revered and honored in Western culture. Historically, artists produced magnificent paintings and sculptures that exalted the beauty of the feminine figure. Nudity was a medium through which humanity was elevated and celebrated,' Melania sid.  'This sentiment resonated deeply with me when I posed for Vogue during my pregnancy,' she wrote.  Throughout the book she mentions her working relationship with Vogue and its longtime top editor Anna Wintour.  These days Wintour is actively supporting former President Donald Trump's Democratic rival, Vice President Kamala Harris.  A 1998 photo of Melania Trump depicting her in a white bikini. The former first lady said she never felt shame about posing nude but was angered that her nude modeling photos were used to try to hurt her husband's first presidential campaign  'I believed then, as I do now, that women should take pride in their bodies, not feel shame,' Melania continued.  'During my modeling days, posing nude was commonplace and hardly scandalous,' she said. 'To me, those images were artistic and tasteful, fitting for a publication like Max, which showcased many renowned super-models.' But there was another problem with the photographer selling the photos of Melania to the newspaper - he originally said the photoshoot happened a year before. 'This misinformation led to unfounded allegations that I had illegally worked in the United States, a claim propagated by the New York Post, ' she wrote.  'Although the photographer later admitted the error, the damage was done - sensationalized lies about me spread worldwide, driven by a shameful pursuit of scandal and profit,' the former first lady added.  Melania TrumpPolitics my blog :: ร้านดอกไม้บรรยากาศอบอุ่น