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Joaquin Phoenix has revealed that he spoke with filmmaker Christopher Nolan about playing Joker which ultimately went to Heath Ledger. The 50-year-old actor - whose latest flick Joker: Folie À Deux could be streamed now - got candid about potentially playing the supervillain before he actually portrayed him. Joaquin recently appeared on Rick Rubin's Tetragrammaton podcast as he revealed that he spoke to the 54-year-old Oscar-winning filmmaker Nolan about portraying Joker over a decade before. He said: That didn't… wasn't going to happen for a number of reasons. I wasn't ready then. 'That's one of those things sometimes where you go: "Why am I not doing this project? What is stopping me from doing this? Well it's not about me, there's something else. There's another person that's going to do something that's like, I can't imagine what it would be if we didn't have Heath Ledger‘s performance in that film."' Joaquin Phoenix has revealed that he spoke with filmmaker Christopher Nolan about playing Joker which ultimately went to Heath Ledger In 2020, Joaquin earned the Best Lead Actor Oscar for Todd Phillips directed Joker which was 11 years after Ledger (pictured) posthumously earned Best Supporting Actor for The Dark Knight in 2009 Read More Joker: Folie À Deux heading to streaming after box office flop In 2020, Joaquin earned the Best Lead Actor Oscar for Todd Phillips directed Joker which was 11 years after Ledger posthumously earned Best Supporting Actor for The Dark Knight in 2009. Joaquin continued: 'I don't know whether Christopher Nolan was coming to me saying, "You are definitely the person."  'I can't remember the context of how we met. But I know that we met, and my feeling was, "I shouldn't do this." But maybe he also was like, "You're not the guy." I couldn't say.' Heath died in a New York City apartment on January 22, 2008, after accidentally overdosing following months of physical and mental exhaustion. The Dark Knight actor died aged 28 after taking a fatal cocktail of drugs, leaving behind his daughter, who was two years old at the time. Meanwhile Joker: Folie À Deux can now be streamed, just weeks after its theatrical release.  The movie, starring Joaquin Phoenix and Lady Gaga, is now available to rent from home starting October 29, in an effort to recoup some of Warner Bros. investment into the film, as per Variety. The musical, which bombed at the box office, is 'poised to lose at least $150 million to $200 million in its theatrical run' according to the publication. Joaquin recently appeared on Rick Rubin's Tetragrammaton podcast as he revealed that he spoke to the 54-year-old Oscar-winning filmmaker Nolan (pictured in January) about portraying Joker over a decade before Heath died in a New York City apartment on January 22, 2008, after accidentally overdosing following months of physical and mental exhaustion. Pictured Heath in 2006 Read More Terrifier 3 dethrones Joker: Folie À Deux as box office champ The movie studio spent about $200 million to produce the film and about $100 million on marketing and distribution, according to the report. It would need to gross about $450 million at the box office to break even — when factoring in the cut taken by theaters — though Warner Bros. sources claim the number is $375 million. A Warner Bros. spokesperson responded to the report, saying 'Any estimates suggested by anonymous "insiders" or "rival executives" are grossly wrong and continues a trend where rumor is reported as fact.' 'The film continues to play in theatrical release, included with this week's opening in China, and will continue to earn revenue throughout its home viewing and ancillary run.' So far, the musical about Batman's nemesis has grossed $51.5 million domestically and $165 million globally after two weeks of release. In comparison, the first Joker grossed $96.2 million domestically and $248.4 million globally after three days of release. The hotly-anticipated sequel to the 2019 billion dollar Oscar-winning film was considered a surefire hit for Warner Bros Pictures, yet ended up being slammed by critics and failed to ignite at the box office.  Joker: Folie À Deux has garnered the lowest CinemaScore in comic book movie history as the film bombed at the box office on opening night.  The psychological musical thriller — which has been criticized as 'bleak' and 'disappointing' — officially released in theaters on Friday, October 4. Joker: Folie À Deux, starring Joaquin Phoenix and Lady Gaga, can be streamed now, just weeks after its theatrical release; Phoenix and Gaga seen in a still The movie will be available to rent from home starting October 29, in an effort to recoup some of Warner Bros. investment into the film, according to Variety  The film is 'poised to lose at least $150 million to $200 million in its theatrical run' according to the publication The sequel to the 2019 billion dollar Oscar-winning film was considered a surefire hit for Warner Bros, yet ended up being slammed by critics and failed to ignite at the box office Phoenix reprised his role as the Joker in the sequel, which had earned him an Oscar for his portrayal in the 2019 film, while Gaga took on the role of Harleen Lee Quinzel (Harley Quinn) Phoenix reprised his role as the Joker in the sequel, which had earned him an Oscar for his portrayal in the 2019 film, while Gaga took on the role of Harleen Lee Quinzel (Harley Quinn). However, Joker: Folie À Deux has been given a D rating on CinemaScore — the lowest score for a comic book movie. Madame Web — which notably also flopped in theaters earlier this year and also received terrible reviews — holds a higher score with a C+. On Rotten Tomatoes, the movie currently holds an audience score of 31% and a critic score of 32%. The sequel has been roundly criticized for being a musical and 'ignoring' the DC fanbase - with an agent familiar with director Todd Phillips' process telling Variety he 'wanted nothing to do with DC' during the making of the film, with DC bosses James Gunn and Peter Safran notably absent from the film's LA premiere afterparty last month.  A source said: 'If the first movie was about some down-on-his-luck, mentally ill guy in a downtrodden city, it makes maybe $150 [million] worldwide. Not a billion. People showed up because that guy was Joker.' In an apparent snub by Phillips, the opening sequence of the film does not include a DC Studios logo. A Warner spokesman added that a DC logo appears at the end of the Joker sequel, while Phillips declined to comment to the publication. Several frictions are said to have developed between Phillips, DC and Warner- with claims that Michael DeLuca, Chairperson of Warner Bros. Entertainment, and CEO Pamela Abdy seemed 'unwilling' to say no to Phillips due to his huge past successes. It is claimed Phillips would 'only' speak with DeLuca and Abdy rather than Gunn and Safran - who took control of DC two months before production began on Joker 2 in December 2022. Gunn and Safran did attend the first director's cut screening for the studio but Phillips fueled rift speculation when he told a reporter: 'With all due respect to them, this is kind of a Warner Bros. movie.' Warner Bros. Discovery CEO David Zaslav also met with Phillips shortly after WarnerMedia and Discovery merged in April 2022 and was 'open to filming in Los Angeles if the director would make the sequel at a lower price point.' The studio wanted to film in London which would have cost around 20 per cent less. A source directly involved with the film recently shared: 'The one thing about genre stuff: If you don't listen and pay attention to what the fan expectations are, you're going to fail'; director Todd Phillips seen with Gaga and Phoenix at the LA premiere September 30 However, Phillips insisted on filming in LA with the budget remaining static. A Warner spokesman told the publication the studio 'supported the decision to film in Los Angeles'. A source directly involved with the film said: 'No one could get through to Todd. And the one thing about genre stuff: If you don't listen and pay attention to what the fan expectations are, you're going to fail. Insiders also claim studio bosses did not want to premiere the film at the Venice Film Festival, but Phillips pushed back - with a Warner spokesman saying the studio 'fully supported the decision to bring the film to Venice.  Along with Gaga and Phoenix, other stars that had appeared in the sequel include Brendan Gleeson, Catherine Keener, Zazie Beatz and Steve Coogan.  Christopher NolanJoaquin Phoenix my blog จัดดอกไม้หน้าเมรุ ราคาถูก

Dis*cuss" (?), v. t. [imp. & p. p. Discussed (?); p. pr. & vb. n. Discussing.] [L. discussus, p. p. of discutere to strike asunder (hence came the sense to separate mentally, distinguish); dis- + quatere to shake, strike. See Quash.] 1. To break to pieces; to shatter. [Obs.] Sir T. Browne. 2. To break up; to disperse; to scatter; to dissipate; to drive away; -- said especially of tumors. Many arts were used to discuss the beginnings of new affection. Sir H. Wotton. A pomade . . . of virtue to discuss pimples. Rambler. 3. To shake; to put away; to finish. [Obs.] All regard of shame she had discussed. Spenser. 4. To examine in detail or by disputation; to reason upon by presenting favorable and adverse considerations; to debate; to sift; to investigate; to ventilate. "We sat and . . . discussed the farm . . . and the price of grain." Tennyson. "To discuss questions of taste." Macaulay. 5. To deal with, in eating or drinking. [Colloq.] We sat quietly down and discussed a cold fowl that we had brought with us. Sir S. Baker. 6. Law To examine or search thoroughly; to exhaust a remedy against, as against a principal debtor before proceeding against the surety. Burrill. Syn. -- To Discuss, Examine, Debate. We speak of examining a subject when we ponder it with care, in order to discover its real state, or the truth respecting it. We speak of discussing a topic when we examine it thoroughly in its distinct parts. The word is very commonly applied to matters of opinion. We may discuss a subject without giving in an adhesion to any conclusion. We speak of debating a point when we examine it in mutual argumentation between opposing parties. In debate we contend for or against some conclusion or view. © Webster 1913. my site ขาย wine

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Do Greens and crossbenchers who claim that transparency and integrity is at the heart of their reason for entering Parliament in the first place hear themselves? In the past few days they have mounted self-serving arguments against proposed electoral reforms that the major parties look set to come together to support. The reforms include caps for how much money wealthy individuals can donate, caps on the amount candidates can spend in individual electorates to prevent the equivalent of an arms race, and a $90million limit on what any party can spend at an election - actually less than the major parties currently spend. The proposed new laws also include lower disclosure thresholds for donations, thus increasing the transparency of who makes political donations in the first place. So the wealthy wont be able to hide behind anonymity while using their cash to influence election outcomes - and the extent to which they can use their wealth at all will be limited. The bill will further improve transparency by also increasing the speed and frequency that disclosures of donations need to be made. At present we have the absurd situation in which donations get made - but you only find out the details of who has given what to whom many months later, well after elections are won and lost. In other words, what is broadly being proposed will result in much greater transparency and far less big money being injected into campaigning by the wealthy. Teal Kylea Tink claimed the major parties were 'running scared' with the policy and warned the reform would 'not stop the rot'  Greens senate leader Larissa Waters (left) fired a warning shot - saying if it serves only the major parties 'it's a rort, not reform'. Teal independent ACT senator David Pocock (right) said: 'What seems to be happening is a major-party stitch-up' Anyone donating more than $1,000 to a political party, as opposed to $16,000 under the current rules, will need to disclose having done so. And how much they can donate will be capped. Yet the Greens and Teals have quickly condemned the proposed new laws, labeling them a 'stitch-up', 'outrageous' and 'a rort, not a reform'.  They have lost their collective minds after finding out that Labor's proposal just might secure the support of the opposition. I had to double check who was criticising what exactly before even starting to write this column. Because I had assumed - incorrectly - that these important transparency measures stamping out the influence of the wealthy must have been proposed by the virtue-signalling Greens or the corruption-fighting Teals, in a united crossbench effort to drag the major parties closer to accountability. More fool me. The bill, designed to clean up a rotten system, is being put forward by Labor and is opposed by a growing cabal of crossbenchers. It makes you wonder what they have to hide. Put simply, the Greens and Teals doth protest too much on this issue. Labor is thought to be trying to muscle out major political donors such as Clive Palmer Another potential target of the laws is businessman and Teal funder Simon Holmes à Court The Greens have taken massive donations in the past, contrary to their irregular calls to tighten donations rules (Greens leader Adam Bandt and Senator Mehreen Faruqi are pictured) The major parties have long complained about the influence the likes of Simon Holmes à Court wields behind the scenes amongst the Teals.  And we know the Greens have taken massive donations from the wealthy in the past, contrary to their irregular calls to tighten donations rules. Now that tangible change has been proposed, these bastions of virtue are running a mile from reforms that will curtail dark art of political donations. The Labor government isn't even seeking for these transparency rules to take effect immediately, by the way. It won't be some sort of quick-paced power play before the next election designed to catch the crossbench out. They are aiming for implementation by 2026, giving everyone enough time to absorb and understand the changes before preparing for them. Don't get me wrong, no deal has yet been done between Labor and the Coalition. I imagine the opposition want to go over the laws with a fine tooth comb. As they should - because it certainly isn't beyond Labor to include hidden one-party advantages in the proposed design which would create loopholes only the unions are capable of taking advantage of, therefore disadvantaging the Coalition electorally in the years to come. But short of such baked-in trickiness scuttling a deal to get these proposed laws implemented, the crossbench should offer their support, not cynical opposition, to what is being advocated for. They might even be able to offer something worthwhile that could be incorporated in the package. To not do so exposes their utter hypocrisy and blowhard false commentary about being in politics to 'clean things up'. Check out my website: ภาพพวงหรีดงานศพ

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